Antique
English Furniture 13
the productions of that country than those of England.
To these monarchs is owed the creation of a problem
for twentieth-century collectors in trying to distinguish
some of the Dutch furniture from English. Also, as
the reign was only a short one, it is not easy to
tell William and Mary furniture from Queen Anne;
pieces with showy decoration are said usually to
have been made before 1700. Cabinets and chests often
had a plain turned ball-shaped foot (replaced in
more recent times by a bracket foot of later design)
and turned legs favoured the inverted cup. Stretchers
(cross-pieces connecting the legs of chairs and tables)
were of a 'wavy' shape and usually had a turned pointed
knob (finial) where the two pieces crossed over.
QUEEN ANNE (1702-1714)
Walnut furniture is always associated with the name
of this Queen, and some of the finest surviving pieces
date from her time. Marquetry was seldom used, and
every effort was made to show off" the grain
of walnut veneers to the best advantage on pieces
of simple outline. Lacquer remained popular. The
cabriole leg was the most important introduction,
and was often carved with a shell on the fat curved
knee. Mirrors were more plentiful and of smaller
size, and upholstery with both silks and needlework
became general.
EARL Y GEORGIAN (1714-1730/40)
Much furniture similar to that of Queen Anne's reign
was made. At the same time, gilding became popular
and was used for mirror-frames, tables and even chairs.
The Kent or Palladian style was fashionable, and
this showed architectural features (Wm. Kent, whose
name is given to the style, was a prominent architect)
such as the broken pediment, and a frequent use of
marble tops for tables.
MID-GEORGIAN: Chippendale (1730/40-1770)
The introduction of mahogany followed a brief period
in which red walnut (from Virginia ) replaced the familiar
French walnut.
English
Furniture
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