Antique English Furniture 13

the productions of that country than those of England. To these monarchs is owed the creation of a problem for twentieth-century collectors in trying to distinguish some of the Dutch furniture from English. Also, as the reign was only a short one, it is not easy to tell William and Mary furniture from Queen Anne; pieces with showy decoration are said usually to have been made before 1700. Cabinets and chests often had a plain turned ball-shaped foot (replaced in more recent times by a bracket foot of later design) and turned legs favoured the inverted cup. Stretchers (cross-pieces connecting the legs of chairs and tables) were of a 'wavy' shape and usually had a turned pointed knob (finial) where the two pieces crossed over.

QUEEN ANNE (1702-1714)

Walnut furniture is always associated with the name of this Queen, and some of the finest surviving pieces date from her time. Marquetry was seldom used, and every effort was made to show off" the grain of walnut veneers to the best advantage on pieces of simple outline. Lacquer remained popular. The cabriole leg was the most important introduction, and was often carved with a shell on the fat curved knee. Mirrors were more plentiful and of smaller size, and upholstery with both silks and needlework became general.

EARL Y GEORGIAN (1714-1730/40)

Much furniture similar to that of Queen Anne's reign was made. At the same time, gilding became popular and was used for mirror-frames, tables and even chairs. The Kent or Palladian style was fashionable, and this showed architectural features (Wm. Kent, whose name is given to the style, was a prominent architect) such as the broken pediment, and a frequent use of marble tops for tables.

MID-GEORGIAN: Chippendale (1730/40-1770)

The introduction of mahogany followed a brief period in which red walnut (from Virginia ) replaced the familiar French walnut.

English Furniture

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