Antique English Furniture 14

At first, mahogany was used in the same styles as walnut pieces had followed, but before long the superior working qualities of mahogany led to new designs. Many different styles were collected and adapted by Thomas Chippendale, a cabinet-maker, who published them in his book, The Director, in 1754. Thus almost all furniture made between about 1750 and 1780 is known today, conveniently, as 'Chippendale':

French 'Chippendale' features curved outlines, and particularly the cabriole leg with an outwardly curling toe.

Gothic 'Chippendale' shows the arch with a pointed top (lancet-shaped), as a part of the design for doors of bookcases, in the form of piercing for the backs of chairs, and in fretting on legs.

Chinese 'Chippendale' uses Chinese pagodas, Chinese figures and birds and other Far-Eastern forms. One or other can be found on all pieces of furniture of this type, but the mirror-frame often has them all.

LATER GEORGIAN: Adam, Hepplewhite and Sheraton (1770-1810)

A number of styles succeeded and partially overlapped each other during these years:

Adam: the Adam brothers, Robert and James, were primarily architects, but their interest in design did not stop with the building itself. Not only did they plan the layout of their mansions, but usually they decided the decoration and colouring of the principal rooms and the furniture to go in them. Their work was inspired by ancient Greek and Roman art, and most of their decorative ideas were borrowed from those sources. The honey­suckle (anthemion), the ram's head and hoof, and garlands of husks are typical features. The work of the Adams was carried out between 1760 and 1790 and many of their designs for furniture were actually made by Thomas Chippendale's firm.

English Furniture

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