Antique English Furniture 2

big, and to find a small and attractive piece of English oak furni­ture of sixteenth-century date today is thus not at all easy. The surviving specimens are eagerly sought and fetch high prices. Whereas a seventeenth-century chest may be bought for twenty pounds or so (on the whole, the larger the cheaper) a small cupboard of earlier date will cost several hundreds.

Oak furniture was made also on the mainland of Europe, and in appearance it is not unlike that made in England. Much was imported at the date it was made, and a further quantity of it was sent to London during the course of the nineteenth century.

As has been said above, oak continued in use for making furniture long after the wood had gone generally out of fashion. Pieces were made from it throughout the eighteenth and nine­teenth centuries; pieces one would expect to find in walnut or mahogany which are discovered to be of oak. This was done mostly in the smaller country towns, where local craftsmen used timber that was available readily. While transport was both difficult and expensive, imported woods like walnut and mahogany would have been obtainable normally only near a seaport or a large town.

Walnut, an attractive light brown wood with distinctive dark patterns, came into use in the later years of the seventeenth century. Much of it was grown in England, but the imported French variety was usually preferred because it was better marked. The esteemed markings or figurings are to be found when a tree is cut across the base where the roots start to spread, and at the point (the crotch) where a branch springs from the main stem. The equally popular burr wood (marked with innumerable tiny dark curls) is found near burrs or lumps by clusters of knots.

Although a certain amount of furniture was made from walnut in the solid piece, it was used mainly in the form of a very thin sheet—veneer. This was glued down on to the main carcass of the piece; the carcass usually being constructed of pinewood (deal) or oak. The use of veneers enabled the craftsmen to select the best-marked portions and arrange them in patterns; a familiar form being known as 'quartering', where four successively cut

English Furniture

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