Antique
English Furniture 7
article was rubbed down until smooth and then painted
several times and decorated; each layer of paint
was baked gently in an oven to harden the coat and
produce the final high gloss. Trays and tea-caddies
were among the earliest articles made from papier
mache, but during the nineteenth century small tables,
chairs and even bedsteads, were also produced.
Forms of decoration
Carving
The earliest way of decorating a wood article was
perhaps by means of carving. In the case of oak,
the hardness of the timber severely limited the craftsman,
but the coming of walnut was more encouraging. It
lent itself to the chisel readily, and in some instances
the carving was decorated additionally with gilding
to give a very rich effect. Pieces treated in this
manner, partly polished wood and partly gilt, are
known as 'parcel-gilt'. Mahogany was the carver's
delight, and he was able to show with it all his
skill. In addition, fretting was applied sometimes
to mahogany pieces. This took two forms: the wood
was pierced in a pattern with a fine saw, or the
effect of a thin pierced sheet stuck down on the
surface was imitated by carving. This latter type
is known as 'semi-fret', and if often to be seen
in Chippendales designs.
One other wood must receive a mention: pine. This
was in use from the end of the seventeenth century,
and its texture provided an excellent medium for
carving. In most instances this was concealed under
gilding or paint, and almost all the elaborately
carved mirror-frames and tables of the eighteenth
century will be found to have been made from this
timber.
Silver and gold
Towards the end of the seventeenth century a certain
amount of furniture was made of which all or most of
the surface was covered with embossed sheets of silver.
A famous suite of this description, consisting of mirror-frame,
candlestands and a table is at Windsor Castle ; there
is another at Knole , Kent , and
English
Furniture
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